Vertigo is not our only frame of reference.
Alfred hitchcock vertigo movie#
Of course, Alfred Hitchcock’s movie was a major inspiration source, whether it’s about the game’s themes, its narration, or even the visual techniques we used that clearly mirror Hitchcock’s recurrent cinematographic techniques. Monchan further detailed the team's inspirations in a press release: To drive up the tension, the trailer teases a one-hour timer as Miller gives the therapist a time limit to dig through his life and solve his case. In a dev diary discussing the game, narrative designer Josue Monchan detailed how the game drew inspiration from the entirety of Hitchcock's work, from the types of camera shots he used to his storytelling techniques, all in the effort of building suspense.
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The game was originally revealed by Microids in June as part of the Guerrilla Collective showcase. Morality, decency, kindness, intelligence, wisdom - all the qualities that we think heroes are supposed to possess - desert Jimmy Stewart’s character little by little, until he is left alone on that church tower with the bells tolling behind him and nothing to show but his humanity.RELATED: 'Bully' Revisited: Rockstar's Ode to High School is Still a Charming Oddity I’ve always been attracted in my own work to heroes motivated by obsession and on that level, Vertigo strikes a deep chord in me every time I see it.
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In his article, Scorcese wrote: “ Vertigo is also important to me - essential would be more like it - because it has a hero driven purely by obsession. As he explained in an article in 1999, Scorcese has been attempting to capture the unique form of madness that defines Vertigo in his own films. It’s likely it was this same obsession that so struck Scorcese when he saw the film for the first time. Herrmann really understood what Hitchcock was going for - he wanted to penetrate to the heart of obsession.” In 2004, Scorcese zoomed in on the power of the composer’s work on Vertigo: “Hitchcock’s film is about obsession, which means that it’s about circling back to the same moment, again and again … And the music is also built around spirals and circles, fulfilment and despair. Hermann’s score is certainly one of the best in cinema history. And of course, Bernard Hermann’s music doesn’t hurt it.” The obsession of following her everywhere she goes with that car – that’s a beautiful sequence. But I’m finding that, over the years, the scenes that stay with me are the seemingly quieter scenes, the scenes where it appears not much is happening with the Hitchcock film, and it’s all happening. And the shower scene in Psycho I actually used as a template for one of the scenes in Raging Bull. ” I’m not saying that just to be contraire to some of the murder scenes in the Psycho and that sort of thing,” Scorcese continues: “Yeah, I like watching those. I couldn’t really tell why, couldn’t tell what was happening, but we really went with the picture and remembered it, and it took years for us to see it again.” In an interview with BFI back in 2012, Scorcese described how the film made a huge impact on him when he was a teenager: “I went to a big screen at the Capitol Theatre with my friends who were 15 years old,” Scorcese began, “and even though the film was not received well at the time, we responded to the film very strongly. One of the films Scorcese has celebrated the most is Hitchcock’s 1958 psychological thriller, Vertigo. Although he has managed to leave a unique stamp on the face of cinema, Scorcese has always made it clear that Hitchcock has been a huge influence on his filmmaking, affecting his technical, narrative and directorial styles in a very profound way. His films looked back to the original golden era of the 1930s, whilst always keeping one eye fixed on the future. With films like Raging Bull, Taxi Driver, and The Last Temptation Of Christ, Scorcese pioneered a new golden age of American cinema. After all, Hitchcock did effectively lay the foundation for the modern cinema landscape, a landscape that Scorcese has been a key part of since the 1970s. As one of the greatest directors working today, it’s unsurprising that Martin Scorcese has been so vocal about his love of the great Alfred Hitchcock.